{"id":380,"date":"2020-11-12T22:01:01","date_gmt":"2020-11-12T20:01:01","guid":{"rendered":"http:\/\/127.0.0.1:8097\/?p=380"},"modified":"2020-11-12T22:01:01","modified_gmt":"2020-11-12T20:01:01","slug":"arta-naratiunii","status":"publish","type":"post","link":"https:\/\/logosplus.ifrbph.md\/?p=380","title":{"rendered":"Arta nara\u021biunii romane\u0219ti (teorii \u0219i practici)"},"content":{"rendered":"

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Arta nara\u021biunii romane\u0219ti (teorii \u0219i practici)<\/span>.<\/span>Catier<\/span>:<\/span> Chi\u0219in\u0103u, 2020, <\/span>\u00a0<\/span><\/span>ISBN 978-9975-79-896-9, 92 p.<\/span><\/p>\n

Autor:\u00a0<\/span>Maria \u0218leahti\u021bchi<\/span><\/p>\n

Arta nara\u021biunii<\/span><\/em> romane\u0219ti<\/em> include secven\u021be din munca de studiu desf\u0103\u0219urat\u0103 \u00een c\u00e2mpul romanului. Partea \u00eent\u00e2i con\u021bine parcursul teoretic asupra evolu\u021biei genului romanesc. Tot mai mul\u021bi exege\u021bi trateaz\u0103 romanul ca pe un gen literar cu statut propriu, eviden\u021biind natura lui proteic\u0103, tot mai proteic\u0103. Diversitatea punctelor de vedere, lansarea unei \u0219tiin\u021be aparte dedicate studiului nara\u021biunii (naratologia), contingen\u021ba, dar \u0219i diferen\u021ba ideilor din c\u00e2mpul naratologiei \u0219i cel al poeticii romanului, sincroniz\u0103rile sau desincronizarea exege\u021bilor \u00een ceea ce prive\u0219te multitudinea de metode, tehnici, procedee de construc\u021bie narativ\u0103, de nara\u021bie \u0219i scriitur\u0103 romane\u0219ti, \u00een cele din urm\u0103 imposibila defini\u021bie a romanului sunt momente prin care s-a trecut cu lectura, interpretarea \u0219i \u00een\u021belegerea, \u00eentr-un moment de o necesar\u0103 sintez\u0103 a problemelor teoretice referitoare la arta nara\u021biunii romane\u0219ti. Dar, la trecerea \u00een revist\u0103 a punctelor de vedere docte, dense (adesea extrem de dense \u0219i obositoare) ale exege\u021bilor, \u00een bun\u0103 parte teoreticieni (except\u00e2ndu-i de aici pe Umberto Eco \u0219i David Lodge), s-a sim\u021bit nevoia unor texte nu doar mai aerisite, dar \u0219i scrise de autori cu o mare reputa\u021bie de practicieni<\/em> ai genului.<\/span><\/p>\n

Partea a doua a c\u0103r\u021bii prezint\u0103 (\u00eentr-o formul\u0103 mai didactic\u0103), sub forma de sigle, idei, conspecte \u0219i comentarii, trei c\u0103r\u021bi de eseuri despre arta romanului, despre arta \u0219i meseria de romancier: <\/span>Arta romanului<\/em> de Milan Kundera, <\/span>Scrisori c\u0103tre un t\u00e2n\u0103r romancier<\/em> de Maro Vargas Llosa \u0219i <\/span>Meseria de romancier<\/em> de Haruki Murakami. Ca <\/span>suport \u00een replic\u0103<\/em> la grila de idei cuprinse \u00een eseurile studiate, au fost selectate \u00een principal c\u00e2te un roman semnat de autorii \u00een cauz\u0103, de\u0219i lista c\u0103r\u021bilor recomandate pentru lectur\u0103 este mai ampl\u0103, \u0219i anume: <\/span>Cartea r\u00e2sului \u0219i a uit\u0103rii<\/em> de Milan Kundera, <\/span>Povesta\u0219ul<\/em> de Maro Vargas Llosa, <\/span>La sud de grani\u021b\u0103, la vest de soare<\/em> de Haruki Muakami. La <\/span>Addenda volumului<\/em> este inclus un text de analiz\u0103 la cartea <\/span>Scrisori c\u0103tre un t\u00e2n\u0103r romancier<\/em>, publicat de autoarea c\u0103r\u021bii cu ani \u00een urm\u0103 \u00een revista <\/span>Sud-Est Cultural<\/em>.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Arta nara\u021biunii romane\u0219ti (teorii \u0219i practici).Catier: Chi\u0219in\u0103u, 2020, \u00a0ISBN 978-9975-79-896-9, 92 p. Autor:\u00a0Maria \u0218leahti\u021bchi Arta nara\u021biunii romane\u0219ti include secven\u021be din munca de studiu desf\u0103\u0219urat\u0103 \u00een c\u00e2mpul romanului. Partea \u00eent\u00e2i con\u021bine parcursul teoretic asupra evolu\u021biei genului romanesc. Tot mai mul\u021bi exege\u021bi trateaz\u0103 romanul ca pe un gen literar cu statut propriu, eviden\u021biind natura lui proteic\u0103, tot […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":["post-380","post","type-post","status-publish","format-standard","hentry","category-joomla-96-aparitii-editoriale"],"_links":{"self":[{"href":"https:\/\/logosplus.ifrbph.md\/index.php?rest_route=\/wp\/v2\/posts\/380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/logosplus.ifrbph.md\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/logosplus.ifrbph.md\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/logosplus.ifrbph.md\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/logosplus.ifrbph.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=380"}],"version-history":[{"count":0,"href":"https:\/\/logosplus.ifrbph.md\/index.php?rest_route=\/wp\/v2\/posts\/380\/revisions"}],"wp:attachment":[{"href":"https:\/\/logosplus.ifrbph.md\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/logosplus.ifrbph.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/logosplus.ifrbph.md\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}